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Journalism blog ... ...

Funny, full, interesting to read for anyone who wants to know more about blog / journalism. http://www.mantellini.it/convegnofnsi.htm

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Sound and Vision, music artist Dan Zeller

Rock and Art, Andy Warhol teaching go hand in hand. To be truly pop coined the logo of the Rolling Stones, in the gallery of celebrities, including its icons, Elvis Presley ancheggiante slap a recruit in the Factory and the Velvet Underground, produced in 1967 Velvet Underground and Nico. Then come the covers for Aretha Franklin, John Lennon and Paul Anka. This and other collaborations between rock art and urban culture are explored in the exhibition "Sound and Vision" held at the Palace Museum Pen in Perugia until the end of June. Parade 100 works: paintings, photographs and installations, an army of painters, graphic artists and photographers working on the album's most famous (David LaChappelle, Keith Haring, Damien Hirst and many others). Everything flows into a jumble of sounds, dances, fashions, styles, sexuality and visual culture that drives and makes working in her spirals artists since 1967.

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: macro and micro landscapes

that contemporary art has been liberated from the bonds of strict figurative has been established for some time, but the work of American Dan Zeller seems to call into question any default category and report any data for some . To understand it is evident from the His line drawings in ink: although an artist of landscapes, there are no seas, no trees, no mountains, and yet those forms that unfold in a thousand streams and winding paths immmediatamente recall the beautiful shape of natural events. The artist says of himself and his works: "It 's as if they were seen by a satellite, to tens of kilometers away. They are lines that connect, rhythms that are repeated. Sometimes networks are visible only through a powerful microscope . orderly confusion reigns in my works. You're never sure what you are watching. " With an exhibition

Madrid (Michel Soskin gallery from May 24 to July 15) and one in Paris (G-Module gallery in November), Zeller arrives in Europe of strong success in Greater New York 2005, group show organized by PS1 in New York, and the attention that, last February, has defined the Moma. The painter was at the center of the Obsessive Drawing, an event that the museum has devoted to repetition and creative detail-oriented, ie based on the details. Cost of his works? Two to eleven thousand dollars.

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Russolo ... finally!

Finally, a large, well-organized exhibition focusing on a great master of the 900, too often forgotten or set aside: Luigi Russolo. The exhibition presents many of his works of history and reminds us of the importance of movement of Futurism which the artist belonged. While a thousand excesses and exaltation of the art 900 and any edge must still "looking" for the future is thus necessary to recognize the contribution revolutionary and highly innovative.

From the presentation on the site www.ticketone.it :

The first major retrospective exhibition on the master futurist. Scheduled to Mart in Rovereto from 27 May to 17 September! Luigi Russolo was the first and most brilliant futurist composer, but also an instrument maker, signed the 'Manifesto of Futurist Painters', engraver, esoteric, a scholar of philosophy Eastern Europe. The exhibition is an opportunity to relive the whole story Art Luigi Russolo. Of 'Noisemakers', the devices he invented to' tune and regulate harmonically and rhythmically noise, the reconstructions will be displayed where the public can interact. The exhibition also includes the whole of its production engraving, and a core of Futurist paintings and his prefuturisti, alongside the works of the artists closest to him: Gaetano Previati, Umberto Boccioni, Carlo Carra, Gino Severini, Romolo Romani and Ugo Piatti. From this material, the curators have traced all the creative stages of the artist, by splitting the display into six sections: the relationship between the Symbolist painters of Lombardy and divisions, the task of engraving and painting from the pre-futurism futurism music activities, production post-Futurist painting, the Paris period, and English, his return to Lombardy.

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Repubblica.it

navigate through www.repubblica.it coming through the art section to a small but interesting link which is located at the bottom of this page: THE BLOG OF ART AND CULTURE. So I decide to go hence to see someone. Very different platforms, graphics and content, these blogs are still of great examples of how, from a simple Web page dispersed among other, we can achieve interesting levels of discussion and information on culture.

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Little Girl Blue by Janis ...

Controtempo part of the festival, Wednesday, May 31, at the Argonne Club at Parma, he held a meeting dedicated to the incomparable Janis Joplin. The debate and the evening were given by two experts and comprehensive connoisseurs of music: Enzo Riccardo kind Venturella, who introduced many viewers to see films on Janis, his band and his live performances. Passion, screams, pain and so much love: This is Janis Joplin, who was sentenced for his exceptional to stay in the music legend. Among the greatest of all time. Thanks Janis.

From volume presentation of the exhibition Controtempo:

Janis Joplin is definitely the most sensitive in accepting white artist and revise in a highly personal style influences of the most authentic black blues. Just think how much we suffered the blues in every song of this extraordinary artist, who manages to reinterpret and accommodate a whole tradition of going from labor camps, and come to merge, in a movement of rebellion Joplin felt that surely, the underground culture. When he came on stage at the Monterey Pop Festival with his first band, Big Brother the Holding company end, it was virtually unknown. That day in August 1967, the world knew his voice, his passion, the unique ability to channel her soul through performance never seen before. At Woodstock in 1969, he performed in yet another stunning performance, which consecrates the universally as one of the greatest voices of the blues. On October 4, 1970, while recording Pearl, died in Los Angeles for a heroin overdose. He was 27 years, just like Jimi Hendrix, who died a few days before a Londra.Come guitarist of Seattle has upset a few years in the blues-rock music. Her vocal performances are wonderful and the ability to play the blues in its original sense of music of the soul, suffering, dissatisfaction and pain.

Thank you, thank you very much Janis.