that contemporary art has been liberated from the bonds of strict figurative has been established for some time, but the work of American Dan Zeller seems to call into question any default category and report any data for some . To understand it is evident from the His line drawings in ink: although an artist of landscapes, there are no seas, no trees, no mountains, and yet those forms that unfold in a thousand streams and winding paths immmediatamente recall the beautiful shape of natural events. The artist says of himself and his works: "It 's as if they were seen by a satellite, to tens of kilometers away. They are lines that connect, rhythms that are repeated. Sometimes networks are visible only through a powerful microscope . orderly confusion reigns in my works. You're never sure what you are watching. " With an exhibition Madrid (Michel Soskin gallery from May 24 to July 15) and one in Paris (G-Module gallery in November), Zeller arrives in Europe of strong success in Greater New York 2005, group show organized by PS1 in New York, and the attention that, last February, has defined the Moma. The painter was at the center of the Obsessive Drawing, an event that the museum has devoted to repetition and creative detail-oriented, ie based on the details. Cost of his works? Two to eleven thousand dollars.
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